GRAHAM SUTHERLAND
British artist Graham Sutherland worked with both glass and fabric to create prints and portraits. His core inspirations included religion (he designed the giant central tapestry for in the rebuild of Coventry Cathedral) and the works of Paul Nash, Samuel Palmer and Pablo Picasso. Working initially in watercolour and later oils, Sutherland spent the 1920s, 1930s and 1940s painting romantic, sometimes surreal British landscapes – one of his favourite places to paint was the Pembrokeshire coast, calling it the place he “began to learn painting”
Bees
aquatint in colours, 1976-1977, on wove paper, with title, text and justification, each signed in pencil, numbered /66 (there was also a deluxe edition of 14 numbered in Roman numerals), co-published by Marlborough Fine Art Ltd., London, and 2RC Edizioni d'Arte, Rome, with blindstamp
Plate 400 x 312 mm.
Sheet 565 x 448 mm.
PRICE ON APPLICATION
Bees
aquatint in colours, 1976-1977, on wove paper, with title, text and justification, each signed in pencil, numbered /66 (there was also a deluxe edition of 14 numbered in Roman numerals), co-published by Marlborough Fine Art Ltd., London, and 2RC Edizioni d'Arte, Rome, with blindstamp
Plate 400 x 312 mm.
Sheet 565 x 448 mm.
PRICE ON APPLICATION
THE SWIMMER, 1973
lithograph
signed, numbered and dated
an edition of 75
76 x 60 cm
PRICE ON APPLICATION